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.​.​.​And the Country Stirred

by Alex Southey

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    12" Standard LP of ...And the Country Stirred. 15 limited standard black and 15 limited transparent.

    Cut at Lacquer Channel Mastering. Robyn Raymond, Red Spade Records.

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1.
Driftwood hit Your eyes babe The wood babe And he stole your fate But it's god, babe It's good, babe You were young But you didn't suit You were young But you didn't suit Come, come and tell Your jokes, babe Your lines, babe And the punchline broke Caught you on the throat, babe The throat, babe You were young But you didn't suit You were young But you didn't suit
2.
Rosie 04:16
Rosemary, I can stay awake I eat your woods and spit out a page Crazy knowing no one drowns… The stars mark their home on English Bay Rosemary, Rosemary, Rosemaria Rosemary, Rosemary, Rosemaria Rosemary, I can stay up late You say it well then you take it away Got no problem, follow up You're the one I say I'm from Rosemary, Rosemary, Rosemaria Rosemary, Rosemary, Rosemaria Til' I'm stoned at your door Sayin' please come out to play Til' I'm stoned at your door Sayin' I feel good today So good today So good today Rosemary, Rosemary, Rosemaria Rosemary, Rosemary, Rosemaria
3.
Don't 02:43
Wait, is that you You look changed since 22 Don't resist One last time can be as long as you want it But I guess it's been a while I guess it's been a while Paint on your smile Man, that dress looks better than I realised But I guess it's been a while Guess it's been a while In time, you shook me loose Now I foot around wondering if I'm right for you But I guess it's been a while Guess it's been a while
4.
On the front porch Of my place on the Danforth I scored in the music hall I counted our footsteps And as we danced, you undressed I hoped it'd feel as good as before On the floor On the floor Where's the guy I saw At the back of the restaurant He knew how I wanted to love And we were warm We were warm She's got your name She's got your name She's got your name We picked up some seeds and Thought we'd grow the sunset To make it easy to fall asleep In your arms In your arms
5.
Here's the place I'm drained The cooling breeze And the come-down Pick a room Pick a room And pour the coffee, I missed your face The waterline tripped the dog And she's a little porchlight She's a little porchlight And pour the coffee, I missed your face I don't know why, but I feel a kind of way I sleep at night, but I don't ever wake I
6.
This horse has gone down again 'Cause he's tired of living Pulling punches after lunch And taking drugs So goodbye Goodbye Well it's hot in the evening And he's trouble sleeping And he dates who he knows And they all look the same So goodbye Goodbye Wait Wait Well this horse has gone down 'Cause he's tired of living Pulling punches after lunch And taking drugs
7.
A Pretty One 02:16
It's a waltz now With your saint's mouth Where we're living Come back to me Come back to me Come back to me when you're ready Man, when it's winter in this city You can really feel everything But I don't really feel it all You leave I leave And then we're finally alive
8.
Cut like a horse on fire Lyin' on seeds Cruise like a 50's car "This thing's got speed" But she prefers Halifax She prefers Halifax And, and the country stirred Torn up, free Come to the mother you love And that's me I own Calgary Hi ho Calgary
9.
God doesn't play fair with me He stops me living the dream Guess I should loosen my grip on his neck You know he wants a quick death I'm ring-ring-ringing the Victor's Bell I'm ring-ring-ringing the Victor's Bell God, don't change a thing No one leaves the ring Guess I should stop falling for the bait But I like the wait I'm ring-ring-ringing the Victor's Bell I'm ring-ring-ringing the Victor's Bell God, get some sleep We could use the peace God, caught on both sides Never had the left, and now you lost the right I'm ring-ring-ringing the Victor's Bell I'm ring-ring-ringing the Victor's Bell
10.
Kids 04:30
Under a sleepy eye He drifts awake into the day He's going to snowy campus For a date He trudges up the Main And stares at his country's flag He meets her in the garden He speaks too fast And she says "Save me a role to play" And she says "Save me a role to play" She watches his reaction He's always staring at the sky She says it always changes Except when you're staring And she says "Save me a role to play" And she says "Save me a role to play"
11.
I won Once I was Was I ever I coulda won A bit of weed A bit of water On our own speed And I have asked You to dance Over, and over

about

I wrote the majority of the album (and recorded its entirety) throughout the course of the pandemic. I began almost a year ago.

John Critchley, the producer (and mixing engineer), and I worked using voice memos, emails, and phone calls. It's incredibly odd that the only time we were in the studio together was when we first met to talk about the idea of him producing whatever fuck this was gonna be.

At the same time that was happening, I had become obsessed with Kenny Feinstein's cover of the entirety of My Bloody Valentine's seminal album "Loveless". Didn't know anything about him. Finally sought him out via Instagram, we listened to more of each other's music, and eventually he and his band played on the majority of the tracks on the album.

It was different for every song. For example, on "She Prefers Halifax", I asked them to play specific melodies I had written. In the case of "Rosie", I was far more abstract about what I wanted, leaving a lot of the arrangement up to them. Once I got a few takes via DropBox (is anyone still reading this?), I'd load them into Logic and either line them up and let them flow, editing very rarely, or I'd go in, chop up, and occasionally rearrange the performance; I did it in big, broad strokes... Whole sections, not individual notes.

Once I had my mixed version of a song for the album, I'd send John both stems with nothing on them as well as stems with everything so if he couldn't replicate something better than what I did, and enhance it in some way, the original was there to be used and beefed up.

One of the biggest moments where John shines is on The Victor's Bell. If you like it, you can thank him, because he convinced me to put it on the album. He wanted me to balance out the album between the structure-loose songs with slightly poppier stuff. For example, on the track I sent him, there was only me clapping one time in the whole thing. He created this backing rhythm to make it poppier (or as poppy as it always should have been?).

It all came together in the mixing, and the mastering process with Aaron Hutchison was incredibly smooth.

This record is coming out in February but I wrote it during the summer. What is time?



Thanks to/Dedicated to: MY FAMILY, Kenny Feinstein, Tommy Drinkard, Daniel Fishbayn, Allie Reddon, Willem James Cowan, Aaron Hutchison, Felicia Wetterlin, Folks at Auteur Research, Ryan Binhammer, Kristian Wagner, Hayley Palmer, Rory and George Wagner, Kevin Chao, Casey Hawley, Connor Stehr, Andrew McGoveran, Sarah Fairman, Chloe Leznoff, Ryan Curran, Dan Monkman, Pickford, The Bradford Academy of Music, Tyler Tossounian, Lil Demons Guitar on Queen St., everyone at the Imperial Pub, and more I'm sure.

*Vinyl soon

credits

released February 5, 2021

Alex Southey - Vocals, Guitars, Synth, Noise, Arrangements

With:
Kenny Feinstein - Fiddles
Tommy Drinkard - Pedal Steel

Daniel Fishbayn - Vocals (11)
Allie Reddon - Vocals (11)
Willem James Cowan - Vocals (11)

Tyler Tossounian - Drums (11)

John Critchley - Mixing/Production at Green Door Studios, Toronto, ON
Aaron Hutchinson - Mastering, in Hamilton, ON

Released Feb 5, 2021

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Alex Southey Toronto, Ontario

Southey's dreamy indie rock lives at the intersection of shoegaze and folk. By fusing these disparate genres together with cerebral, emotionally insightful songwriting he is one of the most authentic and endearing voices in this generation of Canadian indie musicians.

His next full length LP, entitled Entertainers Bring May Flowers, is out everywhere May 16, 2024.
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